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Showing posts with label 2012 Artist's Trek; T. Van Stein. Show all posts
Showing posts with label 2012 Artist's Trek; T. Van Stein. Show all posts

Tuesday, March 20, 2012

New Vincent Van Gogh Painting Discovered, Confirmed: March 20, 2012

It's always good to view a new work by an OLD MASTER.

This photo provided by the Kroeller Mueller Museum in Otterlo, Netherlands, Tuesday, March 20, 2012, shows a painting entitled "Still life with meadow flowers and roses" by Vincent van Gogh.

 My understanding; is it takes at least five Authority Figures on a particular artist, all to concur that a discovered painting belongs to that particular artist, before it is declared an original.

Looks like this one passed the test. 

I am amazed at the craftsmanship and composition, the muted tones, and light which Van Gogh captured in a timeless manner. Even though the painting is mellowed with age, the arrangement still feels fresh, and pure like they were gathered only a moment ago.

I am excited for the world, and recall the day I hopped over the barrier at Van Gogh's Asylum of St. Paul de Mausole, and laid my bones in Van Gogh's bed. 

I did what I could, just to get into his head!

Surreal Bounce Journey: An Ear in Provence. Photo: Robert Eringer
See my blog post: A Huge Presence in a Small Bed. May 20, 2010


 

 

Sunday, March 11, 2012

Sunday Service, Santa Cruz Island March 11, 2012

Moon  Over the Cross, S.C.I.  10x8 oil  2002
I found this JPeg of a painting I created around ten years ago when I went out to Santa Cruz Island to paint with the OAK Group. It's an honest rendition of the Moon, high over the giant red cross that rests on the grassy hill just above the Stanton Ranch.


For all I know the cross has been out there on the island since the 1860's, from a time when people lived more religiously and relied on the hope of God's support and guidance: they weren't afraid to see this symbol as a guiding light.


In the 21st Century, this symbol is offensive to many, and I am sure the ACLU would like to abolish it as Santa Cruz Island (except for the Stanton Ranch), is now controlled by the National Park Service.  

As an artist who sometimes lives life on the edge, the cross and what it symbolizes keeps and has kept me from going over the ledge.








Thursday, March 8, 2012

Moon Time March 8, 2012

Silvery Moon Light  12x9 oil/panel 2009
This little nocturne, painted alla prima, was a demonstration for a Nocturne Painting Workshop I taught through University of California Santa Barbara, a couple of years ago. It was donated to the Scottsdale Artist School for their annual fund raiser.

Monday, February 27, 2012

Plein Air Painting, View from Rincon February 27, 2012

Afternoon Light, Rincon  12x16  oil/canvas
A nice sunny day along the bluff top, I painted this for my art class as a demonstration painting, capturing the Southern California Light.


The painting will be on exhibit at the upcoming Winter Quarters Exhibition at the Chris Dentzel Gallery, in Santa Barbara. Opening Wednesday February 29, 2012

www.thomasvanstein.net 

Sunday, February 26, 2012

Atmospheric Perspective, Santa Barbara February 26, 2012

View from Vedanta 12x17  oil/board  2012
View from Vedanta
The Vedanta Temple in Montecito offers a commanding vista toward Santa Barbara, as well as a mellow space for meditation.


Demonstration painting for my plein air painting class "Light and Shadow in Art". This painting will be on exhibit for the upcoming show, Winter Quarters at the Chris Dentzel Gallery
Santa Barbara; opening February 29, 2012

www.thomasvanstein.net

Saturday, February 25, 2012

Winter Quarters Art Exhibition February 25, 2012

Clarence Hinkle's View  9x12
National Academy member Clarence Hinkle (1880-1860) lived in Santa Barbara
from 1935-1960. He taught at the Art Center in Los Angeles, and influenced many contemporary artists such as Santa Barbara OAK GROUP member, Meredeth Abbott.  

Last November I was invited to take my class to his former home/studio,  by it's current resident; artist, Priscilla Fossek, to view his studio (which is now her studio) and yard where he'd painted many a masterpiece. I wanted to give the class the opportunity to get close to the "spirit of a master," and paint from a perspective rarely seen by the general public and/or those who appreciate art history.



Winter Quarters Art Exhibition

February 29-June 29
Chris Dentzel Gallery
828 Santa Barbara Street, Santa Barbara

(805) 962-5030

Preview Evening Wednesday February 29, 2012 5-8pm

First Thursday Opening: Thursday March 1, 2012 5-8 pm

Friday, February 24, 2012

Winter Quarters Art Exhibition February 24, 2012

Winter Light,  Butterfly Beach 9x12 oil
Butterfly Beach Demonstration Painting.


I love painting at Butterfly Beach in Santa Barbara, especially because it is so popular; everyone considers it to be, "Their Beach".


This is the finished Demo from (see my Blog from Ground Hogs Day: February 2, 2012

It will be on exhibit next week at the Chris Dentzel Gallery,  in the Winter Quarters Art Exhibition.

Winter Quarters Art Exhibition

February 29-June 29
Chris Dentzel Gallery
828 Santa Barbara Street, Santa Barbara

(805) 962-5030

Preview Evening Wednesday February 29, 2012 5-8pm

First Thursday Opening: Thursday March 1, 2012 5-8 pm

Thursday, February 23, 2012

Winter Quarters Art Exhibition February 19, 2012

Winter Surf 6x9  oil/board
Quick gestural sketch of the California Surf off Arroyo Burro Beach, Santa Barbara


It was my demonstration painting for my class "Light and Shadow in Art"
Painted February 8, 2012.

I dedicate this post to my long time buddy Steve Taraldsen, who is battling enormous  waves of adversity; get well soon my friend. Hold Fast!



Winter Quarters Art Exhibition

February 29-June 29
Chris Dentzel Gallery
828 Santa Barbara Street, Santa Barbara

(805) 962-5030

Preview Evening Wednesday February 29, 2012 5-8pm

First Thursday Opening: Thursday March 1, 2012 5-8 pm