Everything I do in the beginning stages of a painting is setting the stage for the highlights, the caligraphy, the "Icing on the cake". I work to suggest my subject with an economy of brushwork: "One brush stroke instead of 50", "Indicate, not Explainate!" |
over
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earth
land
air
sea
folded corners touch
mind
body
spirit
listen look know
sensory's song calls off a falcon's wing along heaven's portal, gliding down the overlap-seamless, resting on earth's breath
pure of heart touches seeds on meadow's slope. palm center to finger tip's laughter
folded corners touch
yesterday
today
tomorrow
over
lapping
heaven
Oneness
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