The direction you're facing has much to do with your destination.
This was painted in the
same location, as yesterday's blog entry, but 180 degrees in the opposite direction from the Metrolink train--beast.
I was interested in the dramatic chiaroscuro, and the contrast of warm and cool light permeating the sky. If one looks closely, they will see a slight ghostlike figure of a man beneath the red signal light. This was my painter friend, Donn Longstreet, who accompanied me this evening.
My advisor, Bruce Everett, felt I should edit the figure out, so I did. Doing this made the painting more desolate and sad. This was, I agreed, a good critique. After all, the paintings needed to be unsellable, and I was committed to surrendering to the process for the duration of my Thesis.
Beneath the 101
16x30 oil/canvas 1998